Reviews

  • ★★★★ 'Jimmy Walters’s expressive production.’

    — Michael Billington, The Guardian

  • “This punchily persuasive production by Jimmy Walters that manages to convert a piece associated with big public arenas into a powerful close-up assault.”

    — Paul Taylor, Independent

  • “Titter ye not, there's nothing limp in this blast at high art.”

    — Dominic Cavendish, Daily Telegraph

  • ★★★★★ ‘Expertly directed by Jimmy Walters, the delivery is slick and the two-hour running time flies past as you wish you could hear more about Billy’s fascinating exploits.’

    — Theatre Weekly (on Billy Bishop)

  • “Jimmy Walters’ production catches the flavour of this wildly imaginative, angry and idiosyncratic comedy.”

    — Financial Times

  • ★★★★★ 'Director, Jimmy Walters, should serve this piece up as a lesson in staging.'

    — 101 Theatre Weekly (on Square Rounds)

  • ★★★★★ ‘Director Jimmy Walters’ production succeeds in providing comedy and drama all framed with music in the style of classic war-time tunes.’

    — West End Wilma

  • “Jimmy Walters’s production fits a full-blooded production into a small space. It bursts into our consciousness without feeling cramped.”

    — British Theatre Guide

  • ★★★★★ ‘Director Jimmy Walters marshals the crowded thoughts and action with a fluent sense of tension’

    — Mark Shenton, The Stage

  • ★★★★ ‘Director Jimmy Walters knows Harrison’s work intimately, having directed The Trackers of Oxyrhynchus one and a half years ago at the Finborough. He has been true to Harrison’s intentions with Square Rounds, employing an all-female cast and using verse throughout.’

    — Close Up Culture

  • ★★★★ 'Jimmy Walters’ direction and Philip Lindley’s ingenious design create physical energy.'

    — Libby Purves, Theatre Cat

  • ★★★★ "Director Jimmy Walters has given Osborne’s legacy the most handsome and elegant staging.”

    — Johnny Fox

  • “There is nothing limp about Jimmy Walters’ production”

    — Michael Billington, The Guardian

  • ★★★★ “Jimmy Walters has kept Coward’s concept at the core of his production.”

    — The Upcoming

  • ★★★★ “Jimmy Walters’ direction is spot on”

    — London Theatre 1

  • ★★★★ “Director Jimmy Walters has brought to life two works of Noël Coward. You'll feel as if you've been pulled back to the 1920's."

    — Gay UK

  • ★★★★ “Jimmy Walters, made good use of every nook and cranny.”

    — Musical Theatre Musings

  • ★★★★ “The all-female cast were exceptional under the direction of Jimmy Walters.”

    — North West End

  • ★★★★ Directed with great sensitivity and charm by Jimmy Walters, the production successfully highlights the bittersweetness of surviving the War"

    — Love London Love Culture

  • “Jimmy Walters’ productions…freebooting energy is persuasive”

    — The Times

  • “Director Jimmy Walters – establish a nicely rugged comic tone”

    — The Arts Desk

  • "Director Jimmy Walters has developed an infectiously funny double bill”.

    — The Culture Trip

  • “Director Jimmy Walters brings the best out of a play perhaps lacking in some areas.”

    — A Younger Theatre

  • "Simply choreographed by director Jimmy Walters and choreographer Ste Clough."

    — The Play’s The Thing

  • “Intelligently and fluently directed by Jimmy Walters."

    — Traffic Light Theatregoer

  • “Director Jimmy Walters correctly sets a furious pace.”

    — British Theatre Guide

  • “The darkly playful tone of Jimmy Walters’s production, aided by movement director Depi Gorgogianni’s creative use of choreography, keeps everything moving along.”

    — Tom Wicker, Time Out

  • “Jimmy Walters’ direction introduces a sprinkling of magic.”

    — There Ought To Be Clowns